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Fujifilm Raised Its Film Prices Again — and the Wallet Math for Shooters Changed

Another round of increases across the Fujifilm lineup landed in 2025, the latest in a three-year run of rises — here is what it means for the film budget.

By Ines Oliveira · 3 min read
Film canisters beside a paper receipt on wooden table
Illustration: Analog Photo Today

Fujifilm raised prices across its photographic film lineup again effective 2025, the company announced in late 2024, citing raw-material, energy, and logistics costs — the latest in a series of increases that began in 2023 and continued through 2024, with the company's own notices naming materials and transportation as the drivers each time. The 2025 round applied to color negative and reversal stocks in Japan from January with phased international rollout, per the company's announcements and trade coverage. For shooters, the budget question stopped being whether film would get more expensive and became which increases to absorb and which habits to change.

What actually went up, and by how much?

Fujifilm's notices since 2023 have described percentage increases on specific product groups rather than uniform shelf prices — earlier rounds ran from single digits to roughly 20-60 percent on some lines, per the company's own announcements as reported in photography trade coverage, and the 2025 round continued the pattern of different rates by product. Retail prices follow at a lag and by retailer. The honest documented picture: the company's notices state the direction and the reason every time; the exact shelf arithmetic varies by market, and any per-roll figure a reader sees should carry its store and date.

Why does film keep going up?

Three structural reasons, all documented in the manufacturers' own statements. Materials: silver halide emulsion depends on silver and specialty chemicals whose costs the companies name directly. Volume: film production scaled down dramatically in the 2000s-2010s, and Fujifilm's statements describe allocating production capacity against renewed demand from a smaller industrial base — the revival is real, per the companies' own growth comments, but the plant that makes the film is the one that survived. And demand itself: with Kodak and Fujifilm both reporting sustained consumer-film interest since 2022, there is no pricing pressure from a shrinking customer base. The increase nobody loves has a market behind it.

What should a shooter's budget do?

Three practical adjustments, all from the documented price structure:

  1. Move daily practice to consumer stocks. The premium lines took the largest relative increases; Kodak Gold 200 and Fujifilm's own consumer-tier offerings remain the cheapest quality color negative per frame.
  2. Buy black-and-white by the 100-foot roll. Bulk-loading Tri-X or HP5 cuts per-frame cost substantially at listed prices — the documented escape hatch every price rise re-teaches.
  3. Treat slide film as occasion spending. Reversal stocks were repriced hardest across makers; the savings logic that once made Ektachrome a weekly stock no longer survives the arithmetic.

What the record leaves open

Whether the 2025 round is the last — no manufacturer has said so, and the 2023-2025 pattern argues against assuming it. And whether renewed production investment eventually eases prices is genuinely unknown; both companies describe investment in capacity, and neither has promised price relief. The documented present: film costs more each year, the community keeps buying it, and the smart money plans rolls, not wishes.