
Kodak Portra 160 vs 400: When the Slower Film Wins
Portra 160 and Portra 400 differ mainly in speed, and speed drives grain, light needs, and subject choice. Here is when the slower film wins.

Portra 160 and Portra 400 differ mainly in speed, and speed drives grain, light needs, and subject choice. Here is when the slower film wins.

The best first film camera is usually the cheap, boring, dependable one — here is how to pick it and where the money should go instead.

A walk through the chemistry, the enlargers, and the people whose hands touch every negative.

Replicas, franken-cameras and mislabeled classics are everywhere at markets and online. Here is how to read the tell-tale signs before money changes hands.

Light, color fidelity and patience: what painters, printmakers and galleries need to document work that sells and survives.

What an editorial shoot on medium format actually looks like, hour by hour, when the camera takes one roll at a time.

A one-hour-a-week filter system for exhibitions, auctions and artist news — built for people who shoot film, not people who trade it.

Match the body to how you actually shoot, set a budget that leaves room for film, and buy the simplest camera that will do the job.